Page 43 of A Duke in Shining Armor
He heard Olympia scream.
Horrified, Olympia watched the chair bump down to the path alongside the river then across it and over the riverbank, into the water. There it struck something, with a jolt hard enough to make Ripleyâs head snap back. The chair tipped over on its side.
She ran back the way sheâd come and down into the water. It was shallow, but rocky. She splashed to where the chair lay.
A dark, dripping head came up. Ripley looked up at her and laughed.
Her heart, which seemed to have stopped altogether, sprang back into action so quickly it made her dizzy, and hot and cold at the same time.
Sheâd thought . . . sheâd thought . . .
But no, there he was, the great blockhead, laughing. All in one piece. No blood. Not dead. She wanted to kill him.
âYou reckless man!â she cried. âYou could have broken your neck.â
âYouâre wet,â he said.
There was a low rumble in the distance. He tipped his head back and gazed at the sky. âAnd about to get wetter.â
She looked up. The previously blue sky was swiftly shrinking behind the grey clouds massing above their heads. She heard another rumble, louder and nearer.
She grabbed the chair and turned it upright. Her hands shook. âGet up!â she said. âGet up!â
Using the chair for support, he hauled himself upright.
She was already wet. Getting wetter didnât worry her. But she didnât fancy standing in the open while a thunderstorm bore down on them.
âSit,â she said.
âItâs broken, and you canât push me uphill in it, even this mild uphill,â he said. âNot that Iâm eager to get on that thing again. Look where it took me. There I was, minding my own business, when it decided it wanted a swim.â
âYou let go! I saw you!â
âI was tired of fighting with it.â
âYou could have broken your neck, your thick skull!â She wished she didnât care what happened to him. She wished somebody, anybody else had followed her out of Newland House the other dayâwas it only three days?âand brought her back, before she could become infatuated with the wrong man.
âI didnât remember how rocky the riverbed is here,â the Wrong Man said. âFarther downriver the bottomâs smoother.â
She was well aware of the rocky river bottom here. She didnât want to think about what might have happened. She wanted to be out of this river, where heâd nearly killed himself.
âNever mind.â The rumbling grew louder. The churning clouds darkened the world about them. âWe have to get back.â She tried to push the chair up the riverbank, a job that turned out to be harder than it looked.
âWhat are you doing?â he said. âLeave it.â
She kept pushing. She needed to fight something. It might as well be this curst piece of furniture.
He let out a sigh and joined her, each taking one corner of the chairâs back. She hoped he was using it to support his bad ankle. Then she told herself he wasnât hers to worry about. He wasnât her problem. She had problems enough. She was going to have to teach herself to love another man because that man still wanted her, and she was a practical and sensible girl, and marrying him was the practical and sensible thing to do.
âThe fishing house is around the next curve,â he said, nodding that way. âLevel ground, not uphill, and much nearer than the house.â
She looked in the direction heâd indicated, then upward, in the direction sheâd come from. She wasnât sure where the house was. She had no idea how far sheâd walked, blindly, through the park. Ashmontâs words had pained her, deeply, even though she knew those werenât his precise words. The letter sounded generally like him, though, and sheâd wanted to run. Not that she had any idea where to run to. Not that she was at all clear about what she wanted to run from or saw, really, any point to running. If only she hadnât run in the first place.
She couldnât think about that now. The darkness was deepening while the thunder rolled toward them. Out of the corner of her eye she caught a flash.
She didnât argue when Ripley turned the chair in the direction of the fishing house.
Ripley told her to run ahead, and heâd follow with the chair, but she wouldnât cooperate. If she left him to push the chair on his own, he would put too much weight on his bad foot, she said.
Luckily they had only a short distance to go. The fishing house had stood near the turn in the river for a hundred fifty years. At any rate, he hoped it still stood.
The storm steadily bore down on them, and as they reached the bend, lightning blasted the sky. Thunder followed rather too close in its wake. Raindrops plopped on the pathway, on the chair, on their heads.
He pushed the chair faster, ignoring the jolts up his leg when his right foot landed hard on an unexpected lump in the pathway. The grounds hereabouts needed attention, he thought, then pushed the thought aside for another time.
The landscape lay in deepening shadow. Thunder rolled while lightning flashed among the clouds.
As soon as they turned the bend, the house came into view.
In most peopleâs opinion, it wasnât much of a fishing house. It looked nothing like the grand, multichambered and multistoried Classical, Gothic, and Chinese fishing temples of so many other great estates. This was merely a square stone structure, with a few temple-like architectural touches. An ancestor had built it sometime in the late 1600s. Unenlarged and unembellished since, it boasted a single room lit by windows on all four sides. A set of three shallow steps led to a narrow portico that sheltered the double doors.
As they hurried toward it, a blast of lightning lit the building. A moment later, thunder rolled over them.
Ripley left the chair at the bottom of the stairs and limped up the steps behind Olympia. As they reached the portico, the rain picked up its pace. He pulled the door handles. The doors didnât budge. Locked. Of course they would be.
âNever mind,â she said. âWeâre sheltered from the worst of it, and very likely itâll pass through quickly.â
; âDonât think so,â he said, glancing about him. âDoesnât look like that kind of storm. This one looks like it means to stay.â
He left her and began limping round the side of the house, testing windows.
âRipley!â
At the back, he found one with a broken latch.
âFound a way in,â he called back. âStay where you are.â
He wrestled the window open, then went back to get the chair.
âYouâre going to stand on the chair while I hold it, and climb in through the window and unlock the door from the inside,â he said.
He could think of a score of other women whoâd look at him as though he was mad.
Olympia nodded.
She helped push the chair into place, and he let her, though he didnât need help. When he took hold of it, keeping it steady, she quickly climbed onto it then through the window in a flurry of skirts and petticoats and writhing limbs and a whirl of familiar scent. Though she wore his auntâs clothes, the scent he caught was of Olympiaâs skin and hair.
He remembered her climbing over the wall at the back of Newland Houseâs garden. He remembered her dress and petticoats swirling about his face . . .
He shook off the recollection and moved back to the door and waited. And waited. The great drops of rain fell faster. Wind gusted.
âDo you mean to open the door?â he called. âOr were you wanting me to beat back the lightning with the chair?â
âItâs dark,â she called back. âI canât find theâoh, here it is.â
The door opened, and Ripley dashed in.
âThe chair,â she said. âYou left itââ
âBother the chair.â He looked about him. As his eyes adjusted to the dimness, he saw the tinderbox on the mantel, alongside the simple utensils the family always kept here: cooking pots, a few plates and cups, a pitcher and bowl. The table held a small basket of table linens. Wood had been stacked near the fireplace.
He made a fire. It gave him something to do while he tried to decide what to do. Or, more important, what to say.